The pentagram was used in ancient times as a Christian symbol for the five senses, or of the five wounds of Christ. The pentagram plays an important symbolic role in the 14th-century English poem Sir Gawain and the Green Knight, in which the symbol decorates the shield of the hero, Gawain: he is perfect in his five senses and five fingers, faithful to the Five Wounds of Christ, takes courage from the five joys that Mary had of Jesus, and exemplifies the five virtues of knighthood.

Heinrich Cornelius Agrippa and others perpetuated the popularity of the pentagram as a magic symbol, attributing the five neoplatonic elements to the five points, in typical Renaissance fashion. By the mid-19th century a further distinction had developed amongst occultists regarding the pentagram's orientation. With a single point upwards it depicted spirit presiding over the four elements of matter, and was essentially "good". However, the influential writer Eliphas Levi called it evil whenever the symbol appeared the other way up.

Based on Renaissance-era occultism, the pentagram found its way into the symbolism of modern occultists.

Following Anton LaVey, and ultimately based on a drawing by French nobleman and occultist Stanislas de Guaita (La Clef de la Magie Noire, 1897), the Sigil of Baphomet, a pentagram with two points up inscribed in a double circle with the head of a goat inside the pentagram is the copyrighted logo of the Church of Satan.

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