Cloisonné is an ancient technique for decorating metalwork objects. The earliest surviving cloisonné pieces are rings in graves from 12th century BC Cyprus, using very thin wire.

In recent centuries, vitreous enamel has been used, and inlays of cut gemstones, glass and other materials were also used during older periods. The resulting objects can also be called cloisonné.

The decoration is formed by first adding compartments to the metal object by soldering or affixing silver or gold wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors.

Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln.

In antiquity, the cloisonné technique was mostly used for jewellery and small fittings for clothes, weapons or similar small objects decorated with geometric or schematic designs.

In the Byzantine Empire techniques using thinner wires were developed to allow more pictorial images to be produced, mostly used for religious images and jewellery, and by then always using enamel.

By the 14th century this enamel technique had spread to China, where it was soon used for much larger vessels such as bowls and vases.

The technique remains common in China to the present day, and cloisonné enamel objects using Chinese-derived styles were produced in the West from the 18th century.

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