"The Rake's Progress" is an opera by which of these composers?

"The Rake's Progress" is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings "A Rake's Progress" (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition.

The story concerns the decline and fall of one Tom Rakewell, who deserts Anne Trulove for the delights of London in the company of Nick Shadow, who turns out to be the Devil. After several misadventures, all initiated by the devious Shadow, Tom ends up in Bedlam, a hospital for the insane at that time situated in the City of London. The moral of the tale is: "For idle hearts and hands and minds the Devil finds work to do."

It was first performed at the Teatro La Fenice in Venice on 11 September 1951, with Robert Rounseville as Tom Rakewell, Elisabeth Schwarzkopf as Anne Trulove, and Otakar Kraus as Nick Shadow. It was first given in Paris at the Opéra-Comique on 18 June 1952, under the baton of André Cluytens and produced by Louis Musy.

Igor Fyodorovich Stravinsky (5 June 1882 – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.